Last year I put together a playlist of music I’d loved or first listened to in 2018 and, genre-wise, it was relatively varied. Beats, jazz-funk, rock, club heaters, hip-hop and some essential bass music. This year’s list, however, is quite different to that. It’s a playlist of songs that are mostly all the same, to be honest.
2019 has been the year of the revivalist sound, with young producers harkening back to the days of 1990s rave with pumping modern tributes. The stand-out release for me has been Soundbwoy Killah’s Halcyon Daze, an LP ‘suffused…with the heady fug of rave memories and long nights in the dance’ (as told by Bleep). They’re tunes that make you want to go raving again, even if your own halcyon days were 2006–2013, not the decade previous.
This playlist is packed with those kinds of tunes, it reeks of nostalgia.
In a way, it’s a mournful playlist. Going out these days isn’t like what it used to be (*cough* old man *cough*). In reviving the warehouse rave, clubs like Printworks have mass-marketed and stripped away the original appeal: underground folklore. It’s something Burial touches on in this interview with Wire magazine.
The UK was changing in a different direction, away from us. Maybe the feeling of the UK in clubs and stuff back then, it wasn’t as artificial, self-aware or created by the internet. It was more rumour, underground folklore. No mobile phones back then. Anyone could go into the night and they had to seek it out. Because you could see it in people, you could see it in their eyes. Those ravers were at the edge at their lives, they weren’t running ahead or falling behind, they were just right there and the tunes meant everything.
There was a time when I respected music in that way. These days I don’t give it enough dedication.
But then again, maybe it’s an optimistic playlist. The music I’ve listened to and loved in 2019 seems to be sounds of a remembered era, and I’m really keen to go out and hear music again. I miss it: the swaying, the lights, the sweat, the laughs. So 41 tracks remembering all that has sparked my keenness to get dancing again.
And here’s to getting back out there. See you in the dance, front-left.
|1||Halcyon Daze||Soundbwoy Killah|
|6||Ai Paint||Young Paint|
|10||BROWN PAPER BAG||TOSHIO MATSUURA GROUP|
|11||Audi A3||L U C Y|
|12||Dilla Mix 1||Abstract Orchestra|
|13||Suite Haus||Makaya McCraven|
|14||ザ・ワードII - Remixed by 鳥居真道 (トリプルファイヤー)||セキトオ・シゲオ|
|15||I’m ready for dancing||Ronald Langestraat|
|16||Mumma Don’t Tell||Leifur James|
|19||Film Score||Smith & Mighty|
|20||Walworth Waltz||Joy Orbison|
|21||Tumblin’ (Death March)||Smith & Mighty|
|22||Flyby Vfr||Skee Mask|
|23||Dial 274||Skee Mask|
|24||Black Balloons Reprise||Flying Lotus|
|25||Loiner Dub||Soundbwoy Killah|
|26||Be Ya Girl||KW Griff|
|28||Controlled Energy Release||THUGWIDOW|
|29||Chiseler’s Rush||Call Super & Parris|
|30||I Hate When People Make Tracks Like This||Jimmy Edgar|
|31||Olbass All Bass 004 (140 BPM)||Vegyn|
|34||Under the Influence||Soundbwoy Killah|
|36||Do it Again||Shinichiro Yokota|
|38||Glass Eye||Pearson Sound|
|39||My Future||Loraine James|
|41||It Ain’t Love||Rahsaan Patterson|
Still not writing about work, but I've been reading good things, listening to excellent music and seeing some terrific films.
My first week on GOV.UK Pay, settling into life as a product manager on Government-as-a-Platform.
Each weekend I spend around 2 hours writing about what I did in the ~38 hours I spent at work that week. Why? Good question.